密室禁锢12小时 (1994)
方晓诗父亲好赌成性,欠下高利贷大笔债项.某夜,黑帮上门追债未果,方父母被打伤致死,晓诗更被捉往黑帮老巢,被首领Tony及陈坤轮暴.晓诗身心受创,趁机逃脱,矢志报复.其后,在挚友阿兰及男友家威协助下,终一举将黑帮消灭,晓诗得报父母被杀之仇,感慨万千 编剧,郑承伟;制片,陆伍;监制,吴进旺;出品人,吴进旺;故事,陈威安;副导演,郑承伟,黄正祥,方丽雅;总监,吴韦德;策划,何添佑,钟福文;摄影,刘季平,陈钟源;摄影助理,陈永庆;剪辑,黄正祥;灯光,林水炳,刘明树;场务,邱富义;化妆,徐青明;爆破,月吉祥;剧照,陈火庆;音乐,高萍;效果,郭英俊;冲印,新大都冲印;录音,富国录音室.
即刻观影
剧情赏析
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双山阻击战
洪卫,刘冠霖,葛佳佳,郭广平,周惠林回望历史所带来的震撼,它让我们牢记:中华儿女只要万众一心,就能抵御一切来犯之敌,就能实现屹立于世界民族之林的中国梦。
金属之声
里兹·阿迈德,奥利维亚·库克,保罗·拉西,劳伦·利德洛夫,马修·阿马立克,克里斯·佩尔费蒂,迈克尔·陶,威廉·泽法尔茨,亚历克斯·基尔戈尔,杰米·加扎里安一个摇滚乐队的鼓手(里兹·阿迈德)突然发现自己失聪,他的乐队搭档露(奥利维亚·库克)和他都很懊恼,但又不得不面对这残酷的现实。影片去年在多伦多电影节首映,作为导演处女作获得媒体好评。
苍雪麒麟
黄日莹,铭亮,琪格,郭宏庆百年前万灵古城遭黑水军团操控的麒麟居戮,女王妙清封印麒麟后难产离世。百年后,其遗孤苍雪貌丑家贫,在忠义堂备受排挤,暗恋陌千禾,机缘下救了龙族皇子诺,获三个愿望。随着假公主阴谋、麒麟解封,古城再起危机,苍雪在蜕变中揭开身世,携手伙伴对抗幕后黑手,拯救古城。
要地球倒转
保罗·勒马特 Paul Le Mat,南茜·艾伦,戴安娜·斯卡尔维德,迈克尔·勒纳,路易丝·弗莱彻查理的前妻失踪了,于是他去了她长大的地方,一个位于西部的乡村城镇寻找她。 但是,令人惊讶的是,没有人知道她或她亲戚的所在。 然后他又遇到外星人,但是当他联系联邦调查局时,并没有人相信他。 他只好将故事登报,并随即受到了外星人的追杀。
好像一切都很糟糕
Melis Sevinç,Melisa Bostancıoğlu,İbrahim Arıcı,Mert Can SevimliAyşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
毛骨悚然撞鬼经 2025夏季特别篇
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