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妙药春情
加里·格兰特,金杰·罗杰斯,查尔斯·科本,玛丽莲·梦露富顿教授（加里·格兰特 Cary Grant 饰）是一位科学家，正在研究一种能够让人返老还童的神奇药物。某一天，富顿用来试验药物的黑猩猩从笼子里逃了出来，在实验室里“大闹天宫”，没想到竟然在误打误撞之下将富顿一直想要研制但始终没有成功的神药给捣鼓了出来。 对此一无所知的富顿在偶然间喝下了这种药物，很快，药效便发挥了作用，富顿一反常态，言行举止俨然一幅二十岁小伙子的模样。秘书路易斯（玛丽莲·梦露 Marilyn Monroe 饰）前来拜访富顿教授，没想到却被他邀请去游泳、溜冰。之后，富顿的妻子爱德华（金格尔·罗杰斯 Ginger Rogers 饰）亦误食了药物，一连串让人忍俊不禁的趣事就此展开。
不伦之恋
帕特里克·迪瓦尔,阿里尔·贝西,莫里斯·罗内,杰纳维夫·马尼奇,莫里斯里什,玛莎·梅赫勒,罗丝·蒂埃里,Michel Berto,亨利-雅克·于埃,雅克·里斯帕尔,纳塔莉·贝伊,妮可·加西亚,Alan Adair,莫里斯·比罗,皮埃尔·科索,伊维斯·皮尼奥,Joseph Michael Roth,Max Vialle对于音乐家雷米（帕特里克·迪瓦尔 Patrick Dewaere 饰）来说，日子变得越来越不好过，不仅仅是职业上的停滞不前，妻子一成不变的容颜和乏味的婚姻生活也让他几近抓狂。就在这个节骨眼上，妻子车祸身亡的消息让雷米感到震惊却又有一丝解脱，而妻子留下的14岁的继女玛丽安（阿里尔·贝西 Ariel Besse 饰）也成为了一个包袱。玛丽安的生父想夺回玛丽安的抚养权，没想到，小小的玛丽安却更愿意和继父生活在一起。同一屋檐下，这对没有血缘关系的“父女”之间的情感变得朦胧而又暧昧。对于玛丽安的火热表白，雷米从最初的果断拒绝到之后的欲拒还迎，他能否守住伦理道德的最后一条底线呢？
遮天剧场版背棺战王腾
叶凡与王腾双天骄宿命对决，北原王家来势汹汹，姬家老祖心怀鬼胎，姬紫月沦为家族联姻工具，叶凡身陷众矢之的。荒古圣体碰撞乱古传承，谁才具真正大帝之姿？
贞子大战碟仙
黄焱明,赵紫彤影片主打悬疑惊悚，将中日鬼神文化脑洞大开的融合在一起，两股势力的对战让影片过程惊喜不断。高颜值与精良的制作让这部电影成为难得的网络大电影佳品。 影片破天荒的将贞子与碟仙两个角色设置成为撕逼对抗，增添了影片的可看性。人性化的处理、悬疑的升级、科学合理的解释和恰到好处的惊悚效果，让影片回归到了十分理性的逻辑上。主演们均是养眼的俊男靓女搭配，身着统一的校园制服清新亮丽，让一些男性观众对《贞子大战碟仙》无可挑剔
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
当你约会的时候
克和茱莉娅因为摄影在网上相识，两人分享彼此的摄影作品，并且尝试在网上交往。在朋友的怂恿下，尼克主动约茱莉娅见面，试图开始真正交往，不料见面后才发现，网上的茱莉娅竟然是自己的前妻，因为事业观不合在几年前离婚了。简单交谈了几句后两人为对方安排了一场约会，但都因为性格原因导致约会无疾而终，实则是因为彼此对对方还都保留着好感。尼克邀请茱莉娅参加朋友家举办的晚会，朋友们都认为他们非常般配，他们也有意重新开始。在这关键时刻，茱莉娅的前男友出现，试图挽回茱莉娅，而尼克的前女友也又一次联系了尼克，他们碍于面子，将复合的事情搁浅在一旁。茱莉娅和尼克各自与前任相处了一段时间后发现还是忘不了对方，在情人节的晚上，他们终于放下心结，重新走到一起。