透明变态人间

⭐ 6.7 播放:08万 2026-05-23

有位奇能的中国人英朗先生被暴徒袭击,为了要感谢秀雄在街上拯救他,特别赐予秘-。秀雄得到变成透明人的-物,-效只能维持一个钟头,一天仅可吃六颗- 丸,就可以变得全身透明隐形的神奇特效。秀雄以透明隐身功能,恶作剧偷看真奈**裙底小内裤,及上司同事玛丽亚瓒(清香)的上厕L露下体,种种L体美女 出现在他眼前,不会被发现,而感到前所未有的刺激爽快。   

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剧情提要

有位奇能的中国人英朗先生被暴徒袭击,为了要感谢秀雄在街上拯救他,特别赐予秘-。秀雄得到变成透明人的-物,-效只能维持一个钟头,一天仅可吃六颗- 丸,就可以变得全身透明隐形的神奇特效。秀雄以透明隐身功能,恶作剧偷看真奈**裙底小内裤,及上司同事玛丽亚瓒(清香)的上厕L露下体,种种L体美女 出现在他眼前,不会被发现,而感到前所未有的刺激爽快。   

幕后花絮

阴山禁地

  影片讲述了上世纪80年代发丘传人贾凡(戴向宇 饰)利用祖传秘术智斗摸金校尉吴老大(杜奕衡 饰)守护发丘老祖之墓的热血故事,表现了邪不压正的主题思想。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.