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剧情提要
讲述了二十世纪三十年代抗日时期，战火纷飞，民不聊生。战地记者马良肩负保护国家文物的神圣使命，在黑帮、国民党特务和日本人等各色势力的夹缝中，凭借过人的智慧和勇气，斗智斗勇，历经生死考验。在这个过程中，他意外地发现了关于天朝国库的秘密，一场充满未知与危险的盗墓之旅就此展开。
暗夜精选
要是晴天就好了
永野芽郁,芳根京子,萩原利久,江口德子,稻垣吾郎,倍赏美津子,吉行和子,藤间爽子,丰岛花,富山绘里子,布施千贺子,高桥努,白本彩奈,宫泽美保诚聘保姆
萨拉·汤普森,马特·达拉斯,布鲁斯·托马斯,比尔·莫斯利,Monty Bane罪恶新月城
亚历克·鲍德温,泰伦斯·霍华德,埃塞·莫拉雷斯,妮基·韦兰,迈克尔·希罗,温斯顿·凯奇,安居尔·尼加姆,Maria Camila Giraldo,瑞玛·桑帕特,Danielle Druz疯狂的兔子
柳田,赵梦洋,陈述,崔岳,黄迎,常蓝天猎枭风暴
鲁诺,徐佳,田松,骆达华,王志刚,石兆琪,吕星辰,阚宇,张莎莎,李艺东,陈画风,袁苑,安琥,庄小龙裂口女2
飞鸟凛,川村雪绘,岩佐真悠子,真山明大,谷口贤志,草野康太,中野英雄,斋藤洋介,林未纪猎杀杰西卡·布洛克
Danica De La Rey Jones,塔梅尔·伯贾克,安东尼·奥塞耶姆,Vaughn Lucas幕后花絮
擂台兄弟
在科钦堡，一群不合群者联合起来创建了一个摔跤团体，他们面临内部竞争和滑稽的打斗，并随着成长去应对更大的障碍。
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.