女教师日记 被禁止的性

★ 1.2 播放:83万 更新:2026-05-23
主演:中田秀夫 

安达充(川名浩介暂无内容饰)是一个正在读高三的学生,他学习优秀,容貌清秀,不过因性格内向鲜少朋友。充的心中藏着不为人知的秘密,他深深爱恋着自己的级任老师堀田纪子(大竹一重暂无内容饰)。这份感情无法自已,他甚至经常打去匿名电话向老师表达爱意。然而纪子对这样的骚扰不胜其烦,此外她早已和同校的体育老师森本(冲田浩之暂无内容饰)相爱,情深意笃。目睹了纪子与森本约会并欢爱的场景,充心中倍感痛苦。另一方面,暗恋充的同班女孩矢崎由美(泽木麻美暂无内容饰)与好友们打赌,设计引诱森本。此举令森本和纪子的关系出现裂痕,而充则借此走入梦中情人的心房。一段充满哀伤气息的禁忌之恋由此展开……

在线播放

剧情简介

安达充(川名浩介暂无内容饰)是一个正在读高三的学生,他学习优秀,容貌清秀,不过因性格内向鲜少朋友。充的心中藏着不为人知的秘密,他深深爱恋着自己的级任老师堀田纪子(大竹一重暂无内容饰)。这份感情无法自已,他甚至经常打去匿名电话向老师表达爱意。然而纪子对这样的骚扰不胜其烦,此外她早已和同校的体育老师森本(冲田浩之暂无内容饰)相爱,情深意笃。目睹了纪子与森本约会并欢爱的场景,充心中倍感痛苦。另一方面,暗恋充的同班女孩矢崎由美(泽木麻美暂无内容饰)与好友们打赌,设计引诱森本。此举令森本和纪子的关系出现裂痕,而充则借此走入梦中情人的心房。一段充满哀伤气息的禁忌之恋由此展开……

导演精选

血洒胭脂马

  在边境城市圣帕布罗,为一年一度的“墨西哥嘉年华”做准备,加金到来了:强硬,神秘和简洁。他的任务是:找到同样神秘的弗兰克雨果,显然是为了报复;还是敲诈?FBI探员雷茨也在追捕难以捉摸的雨果。镇上的每个人都是神秘的,尤其是皮拉,一个神秘的少年,跟随加金四处,并预感到他的死亡。还包括一个经典的女性法塔莱和一个古老的旋转木马与一个粉红色的马…

民国惊魂录

  民国年间,上海滩闸北区保德路发生一桩命案,死者后来经过确认,竟然是马源商会老板马广则。  多年来,马源商会在闸北一直都颇具影响力,马广则更是最被看好的商界风云人物,他的死打破了闸北区原本的宁静。

公寓2024

  Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.  Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.