剧情简介
When a childless couple lets a pregnant woman inside their home, temptation starts to shake their once peaceful life.
为你推荐
格斗家·父爱无声
周惠林,白予晴,周小伟,张聿小说作家阿真和她的拳王父亲，从小就有很深的隔阂，在父亲离世后，阿真用自己的方式与父亲和解，并且在小说世界中完成了文与武的转换，经历了善与恶的抉择，成功蜕变，为父正名，成为了真正的格斗家！
诡爱
辛芷蕾,成毅,于毅,叶熙祺,张哲瀚,何珮瑜,邢岷山著名电台女主播萧潇雅（辛芷蕾 饰）在结婚前七天，因亲眼目睹名作家未婚夫李明轩与前女友许嘉雯（何佩瑜 饰）偷情，萧萧雅忍受不了背叛出轨的伤痛而自杀，幸被抢救复生，男友李明轩却坠楼身亡……是自杀还是他杀还没有揭晓真相，李明轩的前女友许嘉雯却又死于非命，李明轩的弟弟李明炎（张 哲瀚 饰）一直对哥哥的死觉得离奇，经调查发现偷情背叛事件出自许嘉雯和薛威（于毅 饰）策划的，在真相还没有大白前，薛威也相离奇死亡……谁是幕后真凶？是阴阳两隔的恋人的疯狂复仇？是横刀夺爱者的杀人灭口？还是宿命在爱情开始的一刻早已注定？
风来之所
Slim Baccar,桑杜斯·哈桑,Eya Bellagha,Maya Blouza,穆罕默德·格拉亚,Lassaad Jamoussi,Saoussen Maalej,Lobna Noomene自父亲去世以来，19岁的阿丽莎成了她患有抑郁症的母亲和年幼妹妹的照顾者。她只想逃离自己的责任以及身边的痛苦。她最好的朋友梅赫迪（23岁）性格内向，患有白癜风。尽管他有文凭，却仍然失业，这让他觉得自己对不起家人。两人都用幽默和想象力来逃避艰苦的生活。梅赫迪讲述并绘制超现实主义的故事，而阿丽莎则尽可能地重新塑造自己的现实。当他们得知全国范围内举办的一场绘画比赛可能会改变他们的生活时，他们偷了一辆车，开始了一场疯狂的公路旅行。他们的友谊经受了考验，他们发现了突尼斯最好的一面和最坏的一面。他们的希望破灭了，但他们的旅程改变了他们。三个月后，梅赫迪非法移民离开了，因为阿丽莎无法抛下她的家人。
月光里的男孩
久美江措,更旦,尕玛久美,尼玛颂宋,西然仁杰,尕玛文加,文秀求珍,达杰丁增,更却东周影片讲述作家扎西因童年时一个关于狗的“秘密”愧疚多年，直到多年后重返故乡才意外得知真相，与孩童穿越时光的生长痛。
清算
高捷,姜皓文,侯桐江,湛佳明 Jiaming Zhan,张荣祥 Cheung Wing-Cheung,屈刚,张媛钰,贾天明,景乐,韩则怡 Zeyi Han,武岳 Yue Wu,张怀公,洪子龙 Zilong Hong,刘浩岚 Haolan Liu,刘开心 Kaixin Liu黄浦江畔，杀机四伏，规则是否能由“她”重写？刀光里是黑帮的血腥，阴影下是性别枷锁的崩裂——多年银幕未见之大女主暴力爽片。 卧龙帮少主武青青，家族遭戮，自身遭叛，从猎物化身猎手；她隐于暗处，每一张笑脸背后，都可能藏着致命的匕首，日本商会登堂入室，内鬼隐匿于至亲之间，无间道中再掀无间，信任是奢侈品，每一步都是悬崖！她将如何撕下那一张张虚伪面具？奸，是叛帮之徒，是入侵之敌，还是枕边之人？ 风暴已至，“除奸”成为唯一信条……
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
血寡妇
Danielle Lilley,Brandon Kyle Peters,Christopher de Padua青年休·麦克艾利斯特（Brandon Kyle Peters 饰）按照未婚妻未婚妻劳瑞·苏利文（Danielle Lilley 饰）的意愿，在远离喧嚣都市的僻静角落买了一座数十款长的大房子。乔迁当日，劳瑞对新房子既满意又惊奇，稍后没多久，马克（Jose Miguel Vasquez 饰）、安柏（Emily Cutting 饰）、肯尼斯（Christopher de Padua 饰）等朋友驱车前来，准备为小两口开一个盛大的乔迁派对。马可他们百无聊赖，四处闲逛，结果强行进入一个无人居住的旧房子。青年男女百无禁忌，四处闲逛，根本不知自己已经惹到了什么。夜幕降临，喜欢热闹的男女们纷纷云集到休的新居，大开狂欢派对。喜欢肯尼斯的女孩独自落寞地再次来到那栋空房子，谁知却被隐藏在这里的恐怖之人残忍杀害。 那边厢狂欢无度，这边厢血腥杀戮的闸门缓缓开启……